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Catalogue Number 10 




Corn'. Dusakt 



No. 113 



OLD PRINTS AND ' 
ORIGINAL DRAWINGS 



DECEMBER, 1915 



R. EDERHEIMER PRINT^CABINET 

366 FIFTH AVENUE, NEW YORK 




PUKER 



No. 102 



Illustrated Catalogue 
of a Miscellaneous Selection of 

RARE ENGRAVINGS, ETCHINGS 

and 

ORIGINAL DRAWINGS 

of Many Schools and Periods 



From the Portfolios of 

R. EDERHEIMER PRINT^CABINET 

366 FIFTH AVENUE, NEW YORK 

OFFERED AT PRICES ATTACHED 

CHRISTMAS, 1915 






A R R A N G K 1) AND P R I \ 1 K I) 
A r THK BARM'S PRIN TJNG CO. 
id HAST IJJ S TRKET, NKW YORK 




H. S. Beham 



No. 45 



Notes 




WING to the war it was impossible last 
summer to travel over Europe, making 
researches and special collections, such 
as have in the past provided the mate- 
rial for my catalogues. It is for this 
reason that I find myself limited at 
present to a publication of a more gen- 
eral and a more commercial nature 
than usual. 

Dealers are reluctant to issue priced 
catalogues of engravings, because some 
readers will readily consider a dealer 
expensive or unreasonable if they see a high price for a fine 
impression, a poor specimen of which they have acquired or 
seen for ever so much less. Yet I include the prices in this cata- 
logue without fear, with the conviction that every item repre- 
sents at least the full value. This catalogue does not include 
my entire stock, but only a small miscellaneous selection from 
my collections, giving a fair idea of their varied character. 

The alphabetical order — prints and drawings mixed — has 
been chosen so as to give the best possible picture of that va- 
riety. A systematic index in chronological order has been added. 
The same system of variety underlies the selections of the repro- 
ductions, which include costly rarities, and also low-priced items, 
showing that a fine and interesting engraving or original draw- 
ing can still be acquired at a very little cost. 

Defects of prints (there are only few showing such) have 
conscientiously been stated. There are purposely a number of 
lesser items (later states) included, which inexpensive as they 
are, would form suitable and attractive holiday gifts. 

To the bulk of pieces by the old masters a few line-engravings 




DURER 



No. 103 



of the early 19th Century have been added. These are some of 
the finest pieces from a very large collection in my possession. 
The impressions are all of the greatest beauty, and these engrav- 
ings have, not ten years ago, commanded about four times as 
large a price as that at v^^hich they are here quoted. 

Shipments on approval out of town cannot be made during 
the month of December, but every item ordered will be readily 
taken back in exchange, if not fully satisfactory. 

in,c R- EDERHEIMER. 

November, 1915. 

6 




Aldegrever 



Catalogue 



Heinrich Aldegrever, 1502-1562 

1 Adam and Eve 

Bartsch 7 and 8 

A Ijeautiful pair of Prints. 

Duplicates from the Royal Collection, Dresden. Pair $20.00 



No. 2 



2 Ornament 

Bartsch 260 

E.xtremely fine impression. 
See reproduction above. 



35.00 



3 Ornament 

Bartsch 281 

Brilliant impression ; Collection Shroeder. 
See reproduction, page 8. 

7 



25.00 




ALi)i;(,Ki:viik Xo. 3 

Albrecht Altdorfer, 1488-1538 

4 Judith 

Bartsch 1 

\ ery tine inn)re.ssii)n. 20.00 

5 King Solomon, Adoring the Idol 

Bartsch 4 

ILxquisite little i)rint. 15.00 

6 The Virgin Enthroned 

Bartsch 13 

Beautiful impressicm of the minute plate, \ery rare. 

See reproduction, page 9. 28.00 

7 The Virgin and St. Anna 

Bartsch 14 

(iood impression, \-erv rare. Collection Heffner v. 
.\lteneck, ' 24.00 

8 The Virgin and Child, in an Open Landscape 

Bartsch 17 
Capital ])late, in super!) impression, \ery rare. 70.00 

9 The Centaur 

Bartsch 37 

N'ery small plate, extremely line and rare. 
Collection Lanna. 20.00 

8 



10 Two Satyrs Fighting for a Nymph 

B. 38 

Sul)iect similar to the one treated in Diirer's Jealousy. 

\'ery delicate and tine. Collection v. Baldinger. 

See reproduction 15 00 

11 Woman Bathing 



B. 56 



Cliarmino- Little Plate. 



12.00 





Altdorfer 



No. 6 



-Vltdorfer 



No. 10 



Jost Amman, 1539-1591 

12 Fortitude, Original Drawing 

Pen and wash, S-m in. high, 4ij in. wide. 30.00 

13 Two Nobelmen With a Horse, Original Drawing 

i'en and India Ink, 3"s in. high. 4'^ n in. wide. 30.00 

Anonymous Master of the XVIth Century 

14 Two. Dagger-Hilts; one with Hercules, the other with 
a Roman Warrior 

Bartsch X, p. 164, 49 and 50 

Superlj impressions. Collection Lanna. Pair, 50.00 




Baktolozzi 



No. 19 



Anonymous Masters, XVIth Century 

15 Rich Ornament, in the Style of the Little Masters, 
Undescribed 

Fine impression, backed. 12.00 

16 The Judgment of Paris, Undescribed 

Circular engraving, diam. 1;^ inch. 



Collection Davidsohn. 



12.00 



Jacob Adriansz Backer, 1608-1651 

17 Study of a Nude, Original Drawing 

Beautiful design, in black and white chalk on grey 
paper, 7 inches high, 5^4 i'l- wide. 45.00 

18 Peasant Woman, Seated on the Ground, Original 
Drawing 

Characteristic ])iece ; black and white chalk on blue 
paper, 7]/^ in. high, 7% in. \vide. 20,00 

10 



Francesco Bartolozzi, 1730-1813 

19 Affection and Innocence, Color Print, Engraved by 
P. W. Tomkins 

Magnificently printed in colors, ox'al, little margin. 
Duplicate from the Collection of the late J. P. Morgan. 
See reproduction, page 10. 250.00 



Attributed to Bartolozzi 

20 Young Woman with a Dolphin, Original Drawing 

Black and red crayons, 9yg. in. high, ?}< in. wide. 75.00 



Engravings by Bartolozzi 

21 Frontispiece to Vol. Ill of Miss Barney's Evelina 

l''.xquisite jn-oof before all letters, printed in brown. 10.00 

22 Allegorical Frontispiece with Handel Medal 

Proof with wide margin. 15.00 

23 Mother Taking Leave of Her Son 

Lovely small ])rint. proof before all letters, Tuer 922. 15.00 

24 Painting, Sculpture and Architecture Rendering Honor 
to King George III 

Two proof impressions, finished and unfinished. Pair, 25.00 

25 Cupid and Psyche, After Cipriani 

Tuer 1442 

Proof before all letters, Collection Robert Hoe. 10.00 



Isaac Beckett, 1653-1715 

26 Adrian Beverland, Mezzotint after G. de Vois 

Smith 7 
Brilliant impression of the first state, framed. 30.00 

27 Mrs. Anne Killigrew, Mezzotint After Her Self-Por- 
trait 

Charming- early Mezzotint. Framed, 18.00 

11 




Corn. Bkga 



No. 29 



Cornells Bega, 1620-1664 

28 Portrait of Cornelis Cornelisz van Harlem, Original 
Drawing 

Signed : K(irn. Begga, 4 in. high, i'A '" ^^ide. 

29 Three Peasants at a Fire-place, Etching 

Bartsch 23 

See reproduction. Collection Schroeder. 

30 Mother, Holding a Child, Etching 

Bartsch 28 

Lovely print in fine impression with margin. 
Collection von Baldinger. 

Abraham Begeyn, 1630-1697 

31 The Ford, Original Drawing 
Pen, sepia and India ink; 5 in. high. 8 in. 

12 



i'idt 



20.00 



18.00 



12.00 



25.00 




Barthel Bkiiam 



No. 34 



Barthel Beham, 1502-1540 

32 A Soldier, Seated 

Bartsch 45 

Aery line impression, rare. 30.00 

33 Soldier on Horseback, Holding a Halberd 

B. 49 

Fine impression, very rare; Collection w Baldinger. 24.00 

34 Coat of Arms of Hier. Baumgartner 

B. 57 
\'ery fine and rare. 
See reproduction 30.00 



Hans Sebald Beham, 1500-1550 

35 The Expulsion From Paradise 

Bartsch 7 
Fine impression of the second state (3). 
Collection von Baldinger. 

13 



18.00 




H. S. Beiiam 



No. Z7 



36 The Man of Sorrows 

Bartsch 26 

Gdod impression, rare. 



20.00 



37 Triton and Nereid (1523) 

B. 86 

Impression of greatest brilliancy, see reproduction 
Very rare. 30.00 

38 Hercules Carrying Off lole 

B. 99 

Good impression, from the set : The Tweh-e Labors 

of Hercules. 12.00 

39 Hercules Fighting the Trojans 

B. 101 

^'ery fine impression, from the same set. 18.00 

40 Patientia 

B. 138 

Superb early impression, before the cross hatchings 
on the leg of the iVngel. Together with the reversed 
copy, both from the Lanna Collection. 
See reproduction, page 15. Pair, 40.00 



41 The Disturbed Lovers 

B 175 

P>rilliant ini])rcssion, collection Lanna. 

14 



12.00 







H. S. BI•:]IA^r 



.\o. 4U 



42 The Peasant with a Pitch-fork, "Es 1st Kalt Weter" 

B. 188 

Excellent impression of the first state. Collection 
Lanna. 16.00 

43 Study of a Man's Head (1542) 

B. 219 
\'ery fine impression of the third state. 18.00 

44 Ornament With Two Fantastic Heads of Fish 

B. 235 
I'^ine impression of the first state, Collection Schroeder. 20.00 

45 Ornament 

B. 236 
Beautiful impressii3n ; Collection \'. Baldinger. 16.00 

See rejjrodiiction, page 5. 

15 




St. della Bella 



No. 46 



Stephano della Bella, 1610-1664 

46 Two Original Drawings on One Mount 

Al)()\e: Two Peasants on a Truck With Horse. 

S^/i in. high, 5^^ in. wide. 

See reproduction 

Below: Roman Sketch with the Coliseum. 

6-)4 ill. high, 9)4 in- vvide. 

Two superb designs. 

Collections, Dimsdale, ^\'oodl5ur^. Case. Pair, 80.00 

47 Sheet With Five Small Sketches of Knights and 
Armor 

Pxquisitc drawing in pen and pencil, 3 in. high, 4j;s 

in. wide. 

Collections, Dijonval, \\'(iodhurn and (iasc. 20.00 

48 Pen Study of Three Musketeers 

Same cpiality as that of the two preceding items, 
4-'/4 in. high, 3-J4 in. wide. Collections Dimsdale and 
I-:sdaile. 25.00 

16 



Nicholas Berghem, 1620-1683 

49 A Sheet with Ten Studies of Sheep ; Superb Crayon 
Drawing 

Signed. 7^ in. high, lOjs in. wide. 60.00 

Barie Jeanne Bernard, 1740-1804 

50 Portraits of Louis XVI and Marie Antoinette 

Pen and water color drawing with a caHgraphic border 
by the artist's father, Jean Joseph Bernard, called Ber- 
nard de Paris, famous calligrapher. 
This design has been engraved. 
14^ in. high, lO^-^ in. wide. 175.00 

Jacob Bink, 1490 or 1504-1560 

51 Judith 

Bartsch, engraved 1528 
Good impression, rare. 16.00 




Bonnet 



17 



No. 56 



52 Cupid Riding on a Dolphin 

Bartsch 47 

Delicate little print, rare. 15.00 



Herri met de Bles (Blesius), Netherland School, 
XVIth Century 

53 St. Luke, Painting the Madonna, Original Drawing 

Rich composition, ])eii on yellowish ground, with 

white high lights. 

Circular, diameter 10' j inch. 300.00 



Abraham Blootelingh, 1634-1685 

54 Catherine, Queen of Charles II. After Sir Peter Lely 

Iixquisite early Mezzotint. 15.00 



Robert Boissard, French School, about 1600 

55 Nymphs, Surprised by Satyrs. Original Drawing 

Charming" design in ]>en ; circular, diameter 6 in. 35.00 



Louis Marin Bonnet, 1743-1793 

56 Head of a Young Girl, After Carle Vanloo 

Lo\ely crayon engraxing "'en deux crayons" on blue 
paper; ver)' fine and rare : see reproduction, page 17. 225.00 



Francois Boucher, 1704-1770 

57 Diana and Endymion, Original Drawing 

Su])erl) and highly characteristic design, in black and 

white chalk on bluish-grey paper, signed. 

Oval. 11)^ in. high, 15 in. wide. 

See reproduction, page 19. 700.00 

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BuUMER-JUBIER 



No. 58 



Michel Honor'e Bounier, 1740-1814. Engraved by 

Jubier 

58 La Confidence 

Charming I'reiich Color-engraving, very rare. 

Entirely printed in colors, with margin. 

See reproduction. 250.00 

Leonard Bramer, 1596-1674 

59 Abraham's Sacrifice 

Vigorous pen and .sepia drawing, close to Rembrandt's 
style. 

9j/8 ill- liigli, 7^8 ill- wide. 35.00 

20 



Joerg Breu, 1480-1537 

60 Tubal Cain Inventing Music 

Alasteiiy Chiaroscuro drawing in lilack and white on 

brown ground, dated 1522. 

137(. in. high, 6' 2 in. wide. 450.00 

61 Fountain of Youth, Original Pen Drawing, partly 
colored 

Alagniticent ; most characteristic piece. 

See reproduction. 

Circular, diameter 11 in. 450.00 

Jan Bronkhorst, 1648-1727 

62 A Sheet With 24 Studies of Insects 

Exquisite pen and water-color ch-awing. Collection 
A. Sigwalt. 



31-4 in high, /! j in. wide. 



30.00 




JoERG Brei; 



No. 61 



21 



Theodor de Bry, 1528-1598 

63 De Hoopman van Weysheyt (Prince William of Nas- 
sau) 

Portrait in rich circular ornamental border. 

Circular engraving for a plate design. 15.00 

64 De Hoopman van Narheyt (The Duke of Alba) 

Companion piece to the preceding item. 

Superb imjjression with full margin. 15.00 

Henry William Bunbury. Died 1811 

65 Love and Jealousy, and Love and Hope 

A pair of beautiful oval color-prints, engraved by C. 
Knight. Closely trimmed to the oval. Duplicates 
from the Collection of the late Mr. j. P. Morgan. 

Pair. 350.00 




C.\LI,OT 



No. 66 



22 




LucA Cambias 



Jacques Callot, 1592-1635 

66 The Slaughter of the Innocents 

Meaume 6 

Superb impression of the first state, very rare. 

See reproduction, page 22. 25.00 

67 The Parable of the Prodigal Son 

M. 53-63 
Complete set of 11 in excellent uniform impressions 
of the second state, Ijefore the numljers. 
From the Collection of Dr. Straeter. The Set. 80.00 

68 Balli di Sfessania (Cucurucu) Caricatures of the Ital- 
ian Comedy 

M. 641-664 
Complete set of 24 in Ijrilliant uniform impressions of 
the first state, before the numbers. 95.00 

Luca Cambiaso, 1527-1585 

69 The Rest in Egypt, Original Pen Drawing 

137-^ in. high. 9's in. wide. Collection Count (jelozzi. 

See reproduction. 75.00 

23 




1 )(IMI-:NI(.() CxMl-AdNOLA 



No. 70 



Domenico Campagnola, 1484-1556 

70 Mountainous Landscape with Roman Ruins and 
Statues 

Original drawing in brown ink. One of the drawings 

previously attributed to Titian. 

8 in. high, 11 in. wide. 

See reproduction. 250.00 

Alonzo Cano, 1601-1665 (Spanish School) 

71 St. Cecilia, Original Drawing in Sanguine, Signed 

434 ill- hig'li. -I-,' 2 in. wide. Collection C. (iasc. 40.00 

Ugo da Carpi. Born about 1486 

Italian originator of wood-cuts in Chiaroscuro 

72 The Slaughter of the Innocents, After Marc Antonio 

Bartsch II, 7 

\\\iod-cul in Chiaroscuro from three ])lates. 

I'.xcessively rare. 75.00 

73 The Miraculous Draught of Fish, After Raphael 

B. II, 13 

Chiaroscuro from three ])lates, second state with the 
address of A. Andreani. 40.00 

24 



74 The Resurrection, After Raphael 

B. II. 22 

Superb Cliiaroscuro fnim three plates. 60.00 

75 The Death of Ananias 

B. II. 27 
Chiaroscuro from three plates, 
(iood impression of the second state (3). 40.00 

76 Sibyl, Holding a Torch 

B. V. 6 
The first Italian attempt at Chiaroscuro irom two 
])lates. Collections Alariette and Gawet. 75.00 

77 Venus With Cupids at Play 

B. VII. 3 
Oval. Chiaroscuro from three plates: of the greatest 
rarity. ' 100.00 

Giovanni Battista Cipriani, 1727-1785 

78 Head of a Young Girl, Original Drawing 

Black crayon anil water-culnr. 6^,^ in. high, Syi in. wide. 
See reproduction. 45.00 

79 Another Girl's Head 

Drawing ecpial in size and style to the preceding item. 45.00 



^'■jS» '^■\v 




I 







ClI'KI.^NI 



No. 78 




Alakrt Clafs No. 80 

Alaert Ciaes. Active between 1520 and 1555 

80 The Virgin Crowned by Two Angels 

Aumueller 47 
Engraving, delicately printed and \ery rare. 
See reproduction. 35.00 

81 Standard Bearer, Drummer and Piper 

Passavant 121 
Charming circular print, very rare. 18.00 

Bartolomeo Coriolano, 1590-1649 

82 A Sibyl With an Angel 

Bartsch V. 2 

Wood-cut in Chiaroscuro from two plates after d. 
Reni. 15.00 

Cornelis van Dalen, 1502-1564 

83 Portrait of Rudolf Petri 

iMi^raNed after ,\. van Nieulandi. 

\'erv fine inijjresMon. 15.00 

26 



Claes Cornells Delif. Died 1620. Pupil of Miereveldt 
84 Portrait of Henri Frederick, Prince of Orange 

Brilliant impression, \ery rare. 35.00 

Willem Jacobz Delff, 1580-1638 
Ernest Prince of Mansfeld, Engr. 1624, After Miere- 
veldt 

Fr. 43 

Good impression. 30.00 

Gilles Demarteau, 1729-1776 
Portrait of Carle Vanloo, After Himself 

Crayon engraving, printed in red. 

Beautiful and decoratixe piece. 25.00 

Auguste Gaspard Louis Boucher-Desnoyers, 1779-1857 
87 La Belle Jardiniere, After Raphael, Line Engraving 

Superb impression of the first state, with Desnoyers 
own signature. ( )ne of the finest Line-Engravings 
of the greatest rarity in this state. 
See reproduction. (With margin, not x'isiljle on the 
cut). 100.00 



85 



86 




BofCHER-DHSNOVEKS 
27 



Xo. S7 



88 La Vierge a la Chaise (Madonna della Sedia, After 
Raphael) 

Scratched letter ])roof, extremely rare. 35.00 

89 La Vierge au Berceau, After Raphael 

]q)reu\e d'artiste. (Proof impression liefore the first 
state). A'ery rare. 40.00 

Domenico Zampieri, called II Domenichino, 1581-1641 

90 Study of a Sleeping Youth; Original Drawing in Red 
Chalk 

6y, in. high, 75/g in. wide. Collection Nath. Hone 

1718-1784. 

See reproduction. 

John Downman, 1769-1824 

91 Mrs. Siddons, engraved by P. Tomkins 

Beautifully printed in liistre. 

Pierre Drevet, 1664-1739 

92 Portrait of Jean Issaly (1620-1702) 

F. D. 74 

Pirilliant impression. 



75.00 



125.00 



15.00 




Do.MKNU'llINO 



No. 90 



28 




DiJRER 



No. 95 



Albrecht Durer, 1471-1528 

93 The Sudarium, Held by Two Angels, Copper En- 
graving 

Bartsch 25 

Brilliant impression from the Rtimpf Collection. 300.00 

94 The Sudarium, Held by One Angel, Etching on Iron 

B. 26 
Very fine impression, before the rust spots. 75.00 

95 The Virgin (with short hair) and the Child on a 
Crescent 

B. 33 
Extremely fine impression, Collectiim Junius S. Mor- 
gan. 

See reproduction 225.00 

29 




nC'RER 



No. 97 



96 The Virgin Nursing the Child 

B. 36 

(iood impression of the lovely plate. 80.00 

97 The Virgin Holding a Pear 

B. 41 

Imprcssiiin of perhaps unicpie I)rillianey, with wide 

margin. 

Collections : Julian Marshal, Morrison, Roliert Dunies- 

nil. See rei)ro(luction. 650.00 

30 



98 The Five Disciples of Christ 

Bartsch 46-50 

Uniformly lirilliant set df h\'e, frinn the collections 
-Marshall. Morrison, Th. Ir-wiii and J. S. Morgan. 

Set of five. 250.00 

99 Apollo and Diana 

Bartsch 68 
Superb impression, \-ery rare. 

See reproduction 200.00 

100 The Satyr Family 

B. 69 
A^ery fine impression from the Collection Lord Ayles- 
ford. 
See reproduction 200.00 




D 



L'RKK 



No. 99 Dl-ri-:u 
31 



No. 100 




DURER 



No. 101 



101 The Rape of Amymone 

Bartsch 71 

Brilliant inipressiun, from the Collection A Firmin- 

Didot. 

See rei)r()cliicti()n 250.00 

102 The Melancholia 

Bartsch 74 
Capital plate in an impression of nnsurpassahle 
beauty. Collections: Arcliinto, Firmin-Didot, (ialli- 
chon, M. J. Perry. 
See reproduction on front page. 1,800.00 

103 The Large Fortune 

B. 77 
Impression of the greatest i)eauty, on paper with the 
high Crown water-mark. Written on tlie reverse: A 
Paris chez Pierre Mariettc, Rue St. Jacque a L'l'lper- 
ance 1679. 
See repr(uhicti(in, i)age 6. 650.00 

32 



104 The Little Courier 

B. 80 

Fine impression; very rare. 110.00 

105 The Hostess and the Cook 

B. 84 
Fine impression, from the Rnmpf Collection. 
See rcprc.icluction 95.00 

106 The Promenade 

B. 94 
Fine impression. Collection J. S. Morgan. 275.00 

107 The Little Horse 

B. 96 
Impression of the greatest brilliancy, of greatest rarity 
in such condition. Collections Robert-Dumesnil and 
J. S. Morgan. 450.00 




Dl'rkr 



33 



No. 105 



108 The Coat of Arms with the Cock 

B. 100 

Brilliant early impression, upper left eorner restored. 150.00 

109 The Coat of Arms with the Skull 

B. 101 

Brilliant early impression. See reproduction. 

Collections: Mariette and Marsden J. Perry. 390.00 

110 Portrait of Philipp Melanchthon 

B. 105 

Very fine impression, i)aper with the water-mark of 

the little jug. See reproduction, page 35. 140.00 




DUUEK 



No. 108 



34 




I V IVENTIS ■TOTVlT-DVREK.I\'-5- ORA PHI UPPI 
A\£NTEAVNONPOTViT-PiNCaiRE-DOCTA 



DURER 



No. no 



111 Portrait of Ulrich Varnbueler, Wood-cut 

B. 155 

Good impression in perfect C(.)nditi< m, vevy rare. 

112 St. Martin, Dividing His Cloak, Wood-cut 

B. app. 18 

Clear early im])ression. \ery rare. 



125.00 



45.00 



Cornells Dusart, 1665-1704 

113 Young Man, in Full Length, Resting on a Chair. 
Original Drawing 

Exquisite design in red and l)Iack chalk uii blue paper. 

11 in. high, 7^ in. wide. 

See reproduction on cover. 120.00 

114 Seated Man, Smoking, Holding a Pitcher in His 
Right Hand, Original Drawing 

Fine black and white chalk drawing; on grev paper. 

9}i in. high, 6% i"- wide. " ' 45.00 




VAN DVCK 



Ao. 115 



Anthony Van Dyck, 1599-1641 

(Attril)uted to) 

115 The Slaughter of the Innocents, Original Drawing 

Superb and vigorous composition in chalk and wash 

on greenish paper; 934 i"- high, ^^Vs i"- wide. 

See reproduction 200.00 

From the Iconographie of A. Van Dyck: 

116 Franz Franck, or Francken 

Wibiral 6 

Original etching In' van Dyck. 

Fine later impression. Collection A. Firmin Didot. 20.00 

117 Jodocus de Momper 

Wibiral 7 
Original etching l)y \an Dyck, 
Good later im]5ression, with wide margin. 

118 Jan SneUinx 

W. 102 

(iood impression of the fifth state. Collection v. 
Baldinger. 

36 



18.00 



15.00 



119 Margaret of Lorraine 

W. 23 II, engr. by Schelte a Bolswert 

Superl) impression, extremely rare. 15.00 

120 Andreas Colyns de Nole 

W. 34 I, engr. by Peter de Jode 

First state, impression of greatest beauty, very rare. 25.00 

121 Marquis de Mirabella 

W. 150 I, engr. by Conr. Waumans 

Beautiful impression of the first state, \'ery rare. 20.00 

122 Raphael Sanzio 

W. 162 I, engr. by Paulus Pontius 

Sujjerb impression of the first state, of greatest raritv. 45.00 



Richard Earlom, 1728-1822 

123 Alope (Lady Hamilton), After Romney 

Lovely stipple engraving in beautiful impression. 
Printed in brown, with margin: framed. 45.00 

124 The Holy Family, Mezzotint After Rubens 

Proof before the letters, superb impression with mar- 
gin. 70.00 



Gerard Edelinck, 1640-1707 

125 Robert Arnauld d'Andilly 

R. D. 142 

Good impression of the second state, before the name 

and the reduction of the plate, with margin. 15.00 

126 Pierre van Bouc 

R. D. 157 

Fine impression of the first state. 

Collections Gawet, Firmin Didot and others. 20.00 

57 



John Faber, 1684-1755 

127 Charles Montague, Earl of Halifax, Mezzotint 

Beautiful impressiun. with margiu. framed. 35.00 

128 Philipp Mercier, the Painter, Mezzotint After Himself 

Fine inipressiou with margin. 10.00 

Antonio Fantuzzi, called da Trento, 1508-1550 (about) 

129 Nude Man, Seated in a Landscape 

B. X 13 

\\^ood-cut in chiaroscuro from 2 |)lates. after Parme- 
oiano. 20.00 



i 




FrACOXAIxI) ^-'o- 1-^0 

38 



Jean Honore Fragonard, 1732-1806 

130 Two Women, Playing With a Child. Original Draw- 
ing 

Bold and characteristic sketch. frLim the cdllectiim 
Baron Roger de Portalis : 6-/4 in. high, 8"s 'H- wide. 
See reproduction, page 38. 250.00 

131 Female, Allegorical Figure, Seated on Clouds, With 
Angels 

Clever and Isold sketch, in hlack chalk and sepia. 

10>2 in. wide, 7;>4 in. high. 200.00 



Thomas Frye, 1710-1762 

132 Head of a Man, in Life-size, Mezzotint 

Smith 14 
Fine proof, with margin. I-'ramed, 45.00 



Thomas Gainsborough, 1724-1788 

133 Portrait of a Young Lady, Original Drawing 

Lovely charcoal sketcli witli delicate \\'ater-coloring. 

signed : Thos. Gainsljorough. 

6^ in. high. 4/2 in. wide. 150.00 



Aart van Gelder, 1645-1727 

134 The Good Samaritan With His Wife and An Angel 

Bold pen and sepia <h-a\ving in RemhrantU's manner. 75.00 

135 Joseph Inquiring For His Brethren 

Same in style and dimensions as tiie preceding item. 

8 in. high. UjA in. wide. "" 75.00 



James Gillray, 1757-1815 

136 L'Enfant Trouve, After Lavinia Countess Spencer 

Exquisite stipple eiigr;i\ing in l)r(i\vn. with full mar- 
gin. 60.00 

.39 




Glockknton 



No. 137 



Monogramist A. G. (Albert Glockenton) 
End of XVth Century 

137 The Capture of Christ. 

Bartsch 5 

\'ery fine impression. Collection Hefner \". Alteneck. 

See reproduction. 50.00 

138 Christ Crowned With Thorns 

Bartsch 8 
Fine early impression. 30.00 

Hendrick Goltzius, 1558-1616 

139 The Adoration of the Shepherds 

Bartsch 21 

The unfinished ]ilate, beautiful impression of the sec- 
ond state, with the date 1615. 12.00 

140 Christ Bearing the Cross, from the Passion Set 

Bartsch 35 
lirilliant impression. 10.00 

40 



141 Henry IV, King of France 

Bartsch 173 

Capital plate, in gocicl im])ressii)n of the third state. 
\'ery rare. 50.00 

142 Portrait of an Unknown "God verzacht" 1582 

Bartsch 206 

Brilliant impression, see reproduction. 20.00 

143 The Goddess of Night 

Bartsch 237 

A\'ood-cut in chiaroscuro from three plates, oval. 25.00 

144 The Sorcerer 

Bartsch 238 

Same as the preceding item ; with full margin. 25.00 




CiOLTZIUS 



No. 142 



145 Diana, Original Drawing 

\'ery spirited design in pen and water-color. 
( )\-al, 5?g in. high, 43/^ in. wide. 

41 



60.00 



146 The Triumph of Galathea, Original Design for the 
Engraving After Raphael 

Pen, in red ink and India ink wash. 

21 in. high, 17 in. wide. 35.00 

School of Goltzius (Matham or Saenredam) 

147 Sketch With Three Young Women 

Spirited lilack chalk drawing on greenish paper. 

5/8 ill- liigli-. 412 in. wide. 20.00 




V.\N (lOVEN 



Jan van Goyen, 1596-1656 

148 Landscape, Original Drawing, Signed 
6 in. high, 10^-^ in. wide. 

See reproduction. 90.00 

149 Young Woman, Standing 

Charming jjencil drawing, 5 in. high. 3j4 in- wide. 55.00 

42 




GRATELnrp 



No. 150 



Jean Baptiste Grateloup, 1735-1817 

150 Portrait of J. B. Rousseau, After Aved 

Miniature engraving in an impression of greatest 
beauty, on India paper. See reproduction. 30.00 

Valentine Greene, 1739-1813 

151 Joseph Carreras 

Mezzotint after (i. Kneller, good impression. 10.00 

Alexander van Haecken, 1735 

152 Laurentius Delvaux, the Sculptor 

Mezzotint after J. Wood. 

Beautiful impression in perfect condition. 15.00 

43 



Wolf Ruber, 1480-1544 

153 St. Jerome in the Desert, Original Drawing 

Pen and white high-hghts on paper grounded in greyish 

brown. A drawing of first importance. 

8% in. high, 6i/s in. wide. 450.00 

William Humphrey, 1740-1795 

154 Madame Du Barry, Mezzotint After B. Wilson 

Smith 8 

Proof before the letter, from the Lanna Collection. 



John Baptist Jackson, 1701-1754 

155 Portrait of Algeron Sydney 

A\'o(jd-cut in Chiaroscuro from three plates. 




C. Jegiiek 



No. 156 



35.00 



20.00 



Christoffel Jegher, 1620-1670 

156 Silenus Supported by Satyrs 

Magnificent wood cut after Rubens. Collection v. 

Baldinger. 

See reproduction. 35.00 

44 



157 Hercules Conquering Envy 

Same as the i)rececling item, superb impression. 



40.00 



Joseph von Keller. Born 1811 

158 Madonna di San Sisto, After Raphael 

Third trial proof, not quite finished, signed and in- 
scribed by the artist, magnificent impression. 65.00 



-^^ 



,cl^^ 






^-m 






H. S. Lautensack 



No. 159 



Hans Sebald Lautensack, 1524-1564 

159 Landscape With a Town and Castle, 1553 

Bartsch 37 

Brilliant impression, from the Lanna Collection. 
See reproduction. 

45 



45.00 



160 Landscape With a Mediaeval City, 1554 

Bartsch 38 
Beautiful impression. 35.00 

161 Temptation of Christ, 1559 

Bartsch 47 
Fine, very dark impression. 35.00 

162 Large Landscape With Flight Into Egypt, 1558 

Bartsch 56 
Suj)crb impression. 45.00 

Pierre Adrien Lebeau, 1776 

163 Portrait of Madame Dugazon 

Superb and clecoratixe little print, with margin. 12.00 

Johann Friedrich Leonart, 1633-1680 

164 Isabella van Assche, After Van Dyck 

Andresen 204 

One of the earliest Mezzotints. 

See reproduction. 15.00 




>.miaE« IXM. ISABKILyt VAN .•Vj.'SCHE.^XORIS JlXB: 
VnU D^I TVgTI DK jVlEJlSTRATrK , DVA VTVZREr.SrisdJI, 
CI VB.BIS BRVXKLLENSliS. -" 



T,EnN-.\RT 



Xo. ir,4 



46 




Ottavio Leoni 



No. 165 



Ottavio Leoni, 1574-1628 

165 Portrait of Cardinal Seni, Original Drawing 

Black and white chalk on greenish paper. Collection 

Mayor. 

See reprodnction. 90.00 

Lucas van Leyden, 1494-1533 

166 Adam and Eve, 1529 

Bartsch 3 

Good impression of the first state on paper witli the 

Gothic P. 

Collectit)!! J. S. Alorgan. 40.00 

167 Adam and Eve 

Bartsch 10 
Exceedingly fine impression, from tlie same collection. 
See rei)roduction. page 49. 120.00 

168 The Wife of Potiphar Accusing Joseph 

Bartsch 21 
Impression of the greatest l)rilhancy on paper with 
the Gothic P. Collections H. J. Brooke and 1. S. 
Morgan. " " 70.00 

47 




Lucas vax LilMh.x 



No. 169 



169 David Playing Before Saul 

Bartsch 27 
Fine impression on Paper with the (iothic P. 
J. S. Mortjan collection. 

170 David in Prayer, 1520 

Bartsch 29 

h'.lchint; cm inin, very .L^nod impression. 



200.00 



20.00 



171 The Visitation 

Bartsch 36 
\'ery good impression, duplicate from the Berlin Mu- 
seum. 20.00 

172 The Virgin and Child on a Crescent 

Bartsch 81 

Fine impression, very rare. Collection J. S. Morgan. 75.00 

173 Mahomet and the Monk Sergius, 1508 

Bartsch 125 

Lucas' first dated plate, fine delicate impression from 

the same collection. 150.00 




LUC.A.S VAN T.F.VnEN 



No. 167 



49 




174 



175 



176 



Lucas van Levdex No. 174 

The Promenade 

Bartsch 144 

Impression of the greatest l)rilliancy. 
Collections H. J. Brooke, H. Weber, J. S. Morgan. 
See re])rt)duction. 
The Self Portrait With the Skull 
Bartsch 174 
\'ery good imjiression, rare. 



125.00 



45.00 



Charles Louis Lingee. Born 1753 
Portrait of Mile, de Rancourt, Actress of the Com- 
edie Frangaise. After Sigm. Freudeberg and J. M. 
Moreau le Jeune 

Beautiful a.nd decoralixe engra\ing. 16.00 



Joh. Lingelbach, 1625-1687 
177 A Group of Horsemen and Ruins, Original Drawing 

]^cn and wash, 4;'4 in. high, SjA in. wide. 



15.00 



Jan Livens, 1607-1663 
178 Portrait of an Old Man, Original Drawing 

Sepia, India ink and light coloring. 
9^. in. high, 7|x in. wide. 



75.00 



Giuseppe Longhi, 1766-1831 

179 Lo Sposalizio, Line Engraving After Raphael, Milan, 
1820 

Capital plate, first state on India paper. 
One of the finest line-engravings, in superb impres- 
sion. 60.00 

180 The Vision of Ezekiel, After Raphael, Line Engraving 

First state, with scratched artist's name. 

From the Ouandt Collection. \'erv rare. 55.00 




Cl,.\UDE LoKK.MN 



No. 183 



51 



181 Mary Magdalen in the Desert, After Correggio 

Proof before the letters, also one of the most famous 
line-engra\ings, very rare. 70.00 



Constant Louis Ant. Lorichon. Born 1800 

182 The Madonna Bridgewater, Line Engraving After 
Raphael 

Epreiue de remarque : very beautiful and rare. 30.00 



Claude Lorrain, 1600-1682 

183 The Flight Into Egypt 

R. D. 1 

Superb impression of the second state of four, very 

rare. 

See reproduction, page 51. 35.00 

184 The Apparition 

R. D. 2 

Fine impression of the third state, delicately etched. 30.00 



Eduard Mandel. Born 1810 

185 The Madonna Colonna, Line-Engraving After 
Raphael 
Fine open letter proof, with full margins, framed. 25.00 



186 Portrait of a Young Man (Raphael) 

iMuishcd trial jjroof, framed. 30.00 

52 




Maxtegxa ( School) 



53 



No. 190 




Andrea M 



\xti:(;na 



No. 188 



Andrea Mantegna, 1431-1506 

187 The Battle of Sea Gods (The right portion of a frieze) 

Bartsch 17 
\'ery fine imjM-ession, in perfect condition. 



188 The Bacchanale With Silenus 

Bartsch 20 

Fine imjires.sinn oi the original plate. 
Duplicate of the British Museum. 
See reproduction. 



250.00 



350.00 



189 The Same, The Close Copy, which Ottley considers 
the earlier Original 

Hind 2''' 
Su])erl) early impression in greenish grey ink, slightly 
repaired. Impressions of the quality of this plate are 
of the utmost rarity. Collection Junius S. Morgan. 650.00 

54 



School of Mantegna: 

190 Christ Descending Into Hell 

Bartsch 5 

Superb early impressitm. somewhat cut and repaired. 
Collection Junius S. Morgan. See reproduction. 500.00 

191 The Senators (From the Triumph of Caesar) 

Bartsch 11 

Good impression in brown ink. Collection J. S. 
Morgan. • 50.00 

192 Soldiers Carrying Trophies (Triumph of Caesar) 

Bartsch 14 

The reversed copy of Bartsch 13 with the pilaster 
added ; beautiful early impression. Collection J. S. 
Morgan. 75.00 



Robert Sam. Marcuard, 1751-1792 
Pupil of Bartolozzi 

193 Kronos and Rhea, Stipple engraving, printed in brown 

Beautiful im])ression, with full margin. 30.00 

194 Cupid and Psyche, 1781 

Lovely stipple engraving, printed in brown, margin. 30.00 



Antoine Masson, 1536-1700 

195 Louis Abelly, Bishop of Rodez 

R. D. 8 

Fine impression, with margin. 25.00 




A. jMasson 



No. 196 



196 Guillaume de Brisacier (The Grey-haired Man) 

R. D. 15 

Good impression of the fourth state, with margin. 

See rei)ro<hiction. 75.00 



Jacob Matham, 1571-1631 

197 Mythological Scene, Original Drawing 

I'en I in N'elhnn, signed, design for an engra\'ing. 
7yj[ in. high, 11*4 '"• wide. 
See repnxhiction, page 57. 

56 



95.00 



Claude Mellan, 1598-1688 

198 Henri, Due de Montmorency 

I'"ine early impression, \vith margin. 10.00 

199 Anna Maria Vajani, Paintress 

Montaiglon 256 

Good impression of the second state, with address of 

Odieuvre. 

See reproduction, page 58. 8.00 



Willem van Mieris, 1635-1681 

200 Young Woman With a Parrot, Original Drawing 

Black chalk on 1ilue pa])er. 
8J4 ill' li'gl"', ^Vi ill- wide. 



35.00 




J. Mat II AM 



No. 197 



57 



B^aiT.-lEfr'j' WIS. !;«;,?■,>•" 







A PARIS 



Mellan 



No. 199 



Jan Miense Molenaer, 1600-1668 

201 A Group of Drinking Peasants, Original Drawing 

Black and white chalk on blue paper. 

105/8 in. high, 16^ in. wide. 75.00 

202 Two Sketches of a Peasant, on one sheet. Original 
Drawing 

Spirited design in lilack and white chalk on l)ro\\n 
paper. 5->:4 in. high, 4ji in. wide. 20.00 

Benedetto Montagna. Active between 1500 and 1540 

203 Young Man Seated Beside a Palm Tree 

Bartsch 16 
Good later impression, the address of Guidotti erased. 
Collections: Count F.nzenl^erg and Mascha. 24.00 

Monogramist F. G. (Italian of the XVIth Century) 

204 Two Cupids Playing With Lions 

Bartsch IX, p. 27, 8, After Raphael 

Collections: Gawet and Rechberger. Rare. 45.00 

58 



Monogramist H. S. E. (German XVIth Century) 

205 Upper Part of a Dagger-hilt, with Lucretia 

Pass. 6 

Extremely rare, from the Lanna collection. 16.00 

Monogramist M. Z. (Zagel, Zasinger) German. End 
of 15th Century 

206 Solomci, Adoring the Idol 

Bartsch 1 
Good early impression. Collection Da\'idsohn ; rare. 55.00 

207 The Martyrdom of St. Sebastian 

Bartsch 4 
Fine impression. Collection Peltzer. 25.00 

Raphael Morghen, 1758-1833 

208 The Transfiguration, Line Engraving After Raphael, 
1811 

Capital plate, impression of suj^reme beatity on India 
Paper, first state. 90.00 

209 The Madonna Delia Sedia, Line Engraving After 
Raphael 

Beautiful impression. 16.00 

210 The Madonna del Granduca, 1823 

Proof before the letter. \ery rare. 18.00 

Jean Morin, 1600-1666 

211 Michel de Marillac 

R. D. 66 

Fine impression, with margin. 20.00 

George Morland, 1763-1804 

212 Watering the Cart Horse, Mezzotint engr. by J. R. 
Smith 

Beatitifiilly printed in colors, no margin. 
Dtijjlicate from the collection of the late J. P. Mor- 
gan. " 200.00 

213 Girl with Pigs, Mezzotint, engr. by William Ward 

( )pen letter jiroof, with margin, fine impression, 
framed. 75.00 

59 



Christian Fred. Mueller, 1782-1815 

214 The Sistine Madonna, After Raphael 

One of the masterpieces of line-engraving', in the nii- 

finished trial proof impression, before the halo. 

Only very few impressions known. 400.00 



Christoph Murer, 1558-1614 
(Famous Swiss Glass Painter) 

215 Orpheus, Playing to the Animals 
Fine pen and India ink drawing. 
6ys in. high, 3ji in. wide. 70.00 



Robert Nanteuil, 1630-1678 

216 Anne of Austria, Queen of France 

R. D. 23 

Second state, engr. 1666, one of the large j)lates, good 
impression, closely trimmed, rare. 55.00 

217 Antoine Barrillon de Morangis 

R. D. 31 

Only state, brilliant impression, with yz-in. margin. 75.00 

218 Bochart de Saron 

R. D. 42 

(_)nly state, fine impression, one small defect repaired. 20.00 

219 Frederick Bosquet, 1671 

R. D. 44 

I^ine impression of the second state, small margin. 50.00 

220 Victor Le Bouthillier, Archbishop of Tours 

R. D. 54 

Good impression of the second state, with small 
margin. 30.00 

221 Jacques, Marquis de Castelnau, 1658 

R. D. 58 

Ciood impression with margin. 25.00 

60 




Nanteuil No. 222 

222 Alexandre de Seve 

R. D. 82 

Brilliant impression of the greatest beauty. 

See Reproduction. 100.00 

223 Bernard de Foix de la Valette, Due d'Espernon 

R. D. 91 

Superb imi^ression of the first state, with margin. 
Very rare. 100.00 

224 Hippolyte Ferret, 1669 

R. D. 95 

Exceedingly fine impression of the first state witli 
wide margin. 40.00 

225 Jean Fronteau 

R. D. 99 

After Cabouret, first state. 1663. 

One of the small portraits, with margin. 15.00 

61 




Xa-xtel'il Xo. 230 

226 Louis Hesselin 

R. D. 110 

First state, engr. 1658. 

Brilliant impression, with wide margin. 60.00 

227 Michel le Mask 

R. D. 126 
iMrst state, 1658. 
Impressidii (if the greatest l)rilliancy. with margin. 80.00 

228 Charles Maurice Le Tellier 

R. D. 138 
Only state, 1663. 
Beautiful impression, with margin. 60.00 

229 The Same 

R. D. 139, 1664 
I'^ine impression of the fourth state, with wide margin. 75.00 

230 Jean Loret, 1658 

R. D. 150 
Capital phite in Inn impression of the third state. 
Very rare. 
See reproduction. 55.00 

231 Francois Mallier du Houssay 

R. D. 167 
I'inc im])ression of the second state. 

follcction A. JMrmin-Didot. 43.00 

6J 



232 Cardinal Mazarin 

R. D. 187 

First state. 

Capital plate, exceedingly rare in this slate. 

Good impression, but repaired . 30.00 

233 Francois Theodore de Nesmond 

R. D. 202 
Superb impression of the second state (i>f four) with 
the (late 1663. with margin. 60.00 

234 Nicholas Potier de Novion 

R. D. 206 
Second state of fiiur. dated 1657. 
Good impression, with small margin. 40.00 

235 Charles Paris d'Orleans Longueville, Comte de St. 
Paul 

R. D. 219 
Brilliant impression, with margin. 
See reproduction. 150.00 




s^^^pff^swwfwpwtKsw'wpwww* ^, ^ m\v^fm»w » m} ' ^ k'w ' J m i> i ! jwirt 



N.^NTEUIL 



63 



No. Uh 




Ogborne 



No. 236 



John Ogborne, 1725-1795 
236 Mrs. Jordan in the Character of the "Country Girl" 

Sti])i)le engraving after Romney. Entirely printed in 
coliirs. Old Margin restored. Duplicate from the 
Collection of the late J. P. Morgan. 
See reproduction. 400.00 

64 



Adrian van Ostade, 1610-1685 

237 The Knife-thrust, Etching 

Bartsch 18 

(iocid impressidii with niari;in. 20.00 

238 The Singers at the Window 

Bartsch 19 

\'ery line impression. 18.00 

239 Interior of a Grange, With Peasants, Original Draw- 
ing 

Characteristic design in black and white chalk im blue 

paper; 8^ in. high, 7j4, in. wide. 

See reproduction. 150.00 

Jean Parrocel, 1648-1704 

240 A Sheet With Sketches of Shooting and Fallen 
Soldiers 

Bold and characteristic sansj'uine drawing. 

7ji in. high, 10 in. wide. 20.00 




OST.MIF. 



No. 239 



65 





2^. 









Peregrino, Niello 



No. 247 



Charles Parrocel, 1688-1752 

241 Don Quixote and Sancho 

Spirited sanguine drawing. 
■ lOys in. high, 13% wide. 

Crispin de Passe, 1540-1629 

242 The Ascension of the Virgin, Original Drawing 

Pen and India ink, from the Lanna Collection. 
3^ in. high, 2j/^ in. wide. 

Jean Baptiste Joseph Pater, 1695-1736 

243 Young Man, Drapery Study in Red Chalk 

Exquisite and highly characteristic drawing. 
6 in. high. 4?,s in. wide. 

Georg Pencz, 1500-1550 

244 Jason and Medea, 1539 

Bartsch 71 

Very fine impression. Collection J. A. Boerner. 

245 The Triumph of Bacchus 

Bartsch 92 

Lovely frieze engraving, I'.s in. high, 11 in. wide. 

246 The Six Triumphs of Petrarca 

Bartsch 117-122 

Complete set of six engravings in lirilliant impres- 



30.00 



20.00 



450.00 



sions. 



8.00 



16.00 



50.00 



66 






PORTAIL 



No. 248 



Peregrino da Cesena (Italian XVth Century) 

247 Niello: The Triumph of Neptune 

Bartsch XIII, 208 Duch. 214 

Superb impression, of extreme rarity. 

See reproduction, page 66. 320.00 

Andre Portail. Died 1760 

248 Young Girl, Seated in a Chair, Original Drawing 

Masterly French design, in black and red crayons. 
8}i in. higli, 6 in. wide. 

See reproduction (fox stains shown there are ahuost 
invisible on the drawing). 500.00 

Primitive German Artist. About 1400 

249 St. John, the Evangelist, Original Drawing 

In rich old coloring, on paper with the Bull's head 

water-mark, from the Collecti'ju W. Koller. 

8 in. higli, 5's i". wide. 150.00 

Richard Purcell. Born 1736 

250 Caroline, Duchess of Marlborough, Mezzotint After 
Reynolds 

Good impression, with margin. Framed, 30 00 

67 



Marc-Antonio Raimondi. Born about 1475-1534 

251 Adam and Eve, Driven from Paradise, After Michel- 
Angelo 

Bartsch 2 

Superl) early impression, \ery rare. 

Collection J. S. Morgan. 150.00 



252 The Lord Ordering Noah to Build the Ark (Raphael) 

Bartsch 3 
Beautiful impression of the first state. 
Collection J. S. Morgan. 175.00 



253 The Slaughter of the Innocents (Raphael) 

Bartsch 18 

The plate with the Chicot. Fine early impression 
repaired. See reproduction, page 68. 250.00 



254 The Last Supper (Raphael) 

Bartsch 26 

Impression of the greatest beauty, e-xtremely rare. 

See reproduction, page 70. 400.00 



255 St. CeciHa (Raphael) 

Bartsch 116 

Early imjiression, rei)aired. 50.00 



256 Dido (After Raphael, the Landscape After Leyden) 

Bartsch 187 

Early impression, Collection j. S. Morgan, of greatest 
rarity. 150.00 

69 




70 



257 The Judgment of Paris (Raphael) 

Bartsch 245 

Capital plate in very good impression of the first 
state, invisibly repaired. 250.00 



258 Mount Parnassus (Raphael) 

Bartsch 247 
Early, very beautiful impression, few small tears 
repaired. 275.00 



259 The Young and the Old Bacchant 

Bartsch 294 

Extremely fine impression : very rare. See reproduc- 
tion, page 72. 
Collections: Liphart and J. S. Morgan. 200.00 



260 A Faun Teaching a Little Boy to Play the Flute 

Bartsch 296 

Superb early impression. 

Collection Lord Bathurst and J. S. Morgan 125.00 



261 Apollo of the Belvedere 

Bartsch 331 

Good early imjiression. 

Collection Junius S. Morgan 40.00 



262 Apollo 

Bartsch 334 

Beautiful early impression. 

From the same collection. 50.00 

71 




Raimondi No. 259 

263 The Three Graces 

Bartsch 340 

A'ery l)eautiful early impression. 75.00 

264 Mars, Venus and Cupid (After Francia or Mantegna) 

Bartsch 345 
Beautiful earlv impression of the 2nd state. 
Dated 1508. ' 90.00 

265 Neptune, Appeasing the Tempest ("Quos Ego") 

Bartsch 352 
Beautiful earlv impression. \'erv rare. 
Collection j. S. Alorj^an. ' 125.00 

266 Trajan, between Rome and Victory 

Bartsch 361 
According to Bartsch, one of the finest pieces of Marc 
Antonio. Beautiful imi)ression. with the signature of 
Mariette, . 100.00 

72 




Raimoxdi 



Xo. 2. 



267 The Bent Stick (After Francia) 

Bartsch 369 

One of the exquisite and very rare, small, early works. 
Good impresion. See reproduction. 75.00 

268 The Seven Virtues 

Bartsch 386-392 

Complete set in uniform impressions of the greatest 
beauty. Seven, 300.00 

269 Seven Copies, after Diirer's Life of the Virgin 

Bartsch 621, 25, 26, 27, 30, 31, 37 

("lood early impressions. Each. 10.00 

73 




REilBUANDT 



No. 270 



Rembrandt Harmensz van Rijn, 1606-1665 

270 The Triumph of Mordecai 

Bartsch 40 
Beautiful etching in very good impression. 
See reproduction. 

271 The Circumcision, 1654 

Bartsch 47 

Very fine impression of the first state, witli margin. 

272 Christ Disputing with the Pharisees 

Bartsch 68 

Fine impression of the second state. 

273 Christ Healing the Sick 

Bartsch 74 ( Fourth state) 
The plate retouched by Captain Baillie. 
Superb impression on japan paper, with margin. 
Collection Camesina, 1816. \'ery rare. 

74 



95.00 



45.00 



45.00 



225.00 




Ki:.\l IIRAXDT 



\o. 274 



274 Christ on the Cross 

Bartsch 80 
Vine im])ression ; rare. See re])rii(lucti<in. 65.00 

275 The Baptism of the Eunuch, 1641 

Bartsch 98 (( )nly state) 
Fine impression of the lightly etched plate. 75.00 

276 The Death of the Virgin 

Bartsch 99 
Brilliant inijjression nf the second state; in perfect 
condition. 

Collections Bruchman and Hebich. 
See reproduction, page 76. 325.00 

75 






' .Jfl . ■> "-t V.'." 








KiCMr.KAXDT 



No. 276 



277 The Four Orientals 

Bartsch 118 

\"ery tine im])ressiun. 
Collection W'eigel. 40.00 

278 Nude Woman, with her feet in the water, 1658 

Bartsch 22 

Ivxtreniely line inijiression, on thin India paper. 90.00 

279 Jan Antonides van der Linden 

Bartsch 264 

(iuixl inipressiiin. with margin. 95.00 

76 



280 Janus Silvius. 1633 

Bartsch 266 

Superb impression. N'ery rare in such quality. 125.00 

281 Menasseh ben Israel, 1636 

Bartsch 269 

\'ery good impression, with margin. 

Collection v. Baldinger. 50.00 

282 Head of an Old Man 

Bartsch 315 

\'ery delicately etched. Fine impression, with small 
margin. Collection Rumi)f. 30.00 

283 Rembrandt's Mother 

Bartsch 351 • 

Lo\ely little plate, signed and dated 1633 

See reproduction. 40.00 



School of Rembrandt 

284 Rest in Egypt (Original Sepia drawing) 

\'ery nuich in Remljrandt's style. 
5j^ inches high, 5^ inches wide. 



45.00 





RlREKA 



iN'o. 285 



Joseph Ribera, called II Spagnoletto, 1588-1656 

285 Satyr, Punished by Cupid (Etching) 

Bartsch 12 
Good later impression ; rare. 
Collections Liphart and Drugulin. 
See reproduction. 25.00 



School of Rubens, Flemish, XVIIth Century 

286 Angels appearing to a kneeling group of Nobles 

•Superb drawinj^" in red and black chalk. 

8^ inches high, 12^4 inches wide. 75.00 

Jacob van Ruysdael, 1628-1682 

287 Old Mill (Original drawing) 

Charcoal, 4y;s inches high. Sj/s inches wide. 125.00 

78 



Salomon van Ruysdael, 1600-1670 

288 Landscape with Hay-barns (Original drawing) 

Charcoal, very characteristic piece. 

AYz inches higli. S'^j inches wide. 60.00 

William Wynne Ryland, 1729-1783 

289 Penelope (Stipple engraving, after Angelica Kauffmann) 

Superl)ly printed in colors. Small margin. 175.00 

Herman Saftleven, 1609-1685 

290 Shore Landscape (Original drawing) 

Black Chalk and Sepia. 

5^ inches high, lOVg inches wide. 75.00 



Pierre Savart, 1750-1778 

291 Francois Rabelais, after Sarrabat 

Miniature engraving of great beauty. 10.00 

292 Fenelon, after J. Vivien, 1771 

E.xquisite miniature portrait engraving, margin. 15.00 

293 Portrait of Bayle, 1774 

Same as the preceding item. 15.00 



Martin Schongauer, 1445-1491 

294 The Annunciation 

Bartsch 3 

One of the loveliest pieces of the master. Fine deli- 
cate impression. 
Collection J. S. Morgan. 250.00 

79 



295 Christ on the Mount of Olives, from the Passion Set 

Bartsch 9 

Good impression, margin restored. 75.00 

296 Christ Bearing the Cross 

Bartsch 21 (^The large plate) 
Capital plate in superb early impression. 
Collection H. F. Sewall. 2400.00 

297 St. Thomas, The Apostle 

Bartsch 4 

Strong, early impression. 

Collection J. S. Morgan. 90.00 

298 The Lord Enthroned 

Bartsch 70 

Fine early impression, on paper with the Bull's head. 
Same collection as the preceding item. 175.00 

Aart Schouman, 1710-1788 

299 Portrait of Louis, Duke of Brunswick-Wolfenbuttel 

( )riginal wash drawing, signed and dated. 

10 inches high, 6^ inches wide. 25.00 



C. Kirkpatrick Sharpe, Engl. School, 18th Century 

300 Young Nobleman, with a Greyhound 

Delicate water color drawing in the style of R. Co.s- 
way. 9]4, inches high, 6.>4 inches wide. 120.00 



Heinrich Sintzenich, 1752-1812 
(Pupil of Bartolozzi) 
301 Frederick William II., King of Prussia (Stipple en- 
graving) 
Oval, with full margin. 15.00 

80 




John Raimiakl Smith 



No. 306 



81 



John Smith, 1654-1719 

302 Phoebus and Leucothea 

Mxquisite little early mezzntint. 15.00 

303 Charles I, after van Dyck 

Beautiful early mezzotint. framed 18.00 

304 Charles II., after Kneller 

Same as the ])receding item. framed 18.00 

305 The Rt. Hon. Charles Montague, after G. Kneller 

Mezzotint, margin cut on three sides. framed 20.00 



John Raphael Smith, 1740-1801 

306 Lady Warwick, Mezzotint after Romney 

Scratched letter proof. (3ne of the most beautiful 
mezzotints. Invisibly repaired and margin restored 
on three sides. See reproduction, page 81. 500.00 

307 An Evening Walk 

Delightful stipple engraving, with margin ; colored 

by hand. 150.00 



Virgil Solis, 1514-1562 

308 Standard Bearer (Engraving on copper) 

Bartsch 248 

\'ery fine impression. 10.00 

309 Circular Allegorical Design (Fall of Phaeton?) 

Pen drawing with blue wash. 

Diameter 3-}i inches. 35.00 



Peter Soutman, 1580-1650 

310 Emperor Frederick IV of Germany (Original Drawing) 

Charcoal, India Ink and ^\'ater-color. 

Design for the engra\ing bv V. \an Sompel, with the 

print. ' 120.00 

82 



311 



312 



313 



314 



Rudolf Stang. Born 1831 
Lo Sposalizio, after Raphael (Line-Engraving) 

Epreme de Remarque : The flower on the staff uf Jo- 
seph left white. Impression of the greatest beauty. 60.00 

Tobias Stimmer, 1539-1587 
The Angel Appearing to the Shepherds (Original drawing) 

Chiaroscuro effect. See reprtiduction. 

7.)4 inches high, Sl-i inches wide. 120.00 

Blind Musicians (Original drawing) 

In Chiarcjscuro manner, I'en and India Ink with white 

high-lights on dark grey paper. 

63^ inches high, 7j,'8 inches wide. 90.00 

Design for a Coat of Arms 

Pen drawing, hexagonal, with slight red coloring. 

4^4 inches high, 25/^ inches wide. 

Collection Lanna. 50.00 




T()Bi.\s Stim.mer 



No. 312 



83 







Sl.■^ i)i':Kii()i:K 



Nu. 316 



Jonas Suyderhoef, 1600-1669 

315 Jacob HoUebeek 

Wussin 39 

(i(H)(l impression of the second state. 18.00 

316 Conrad Victor van Aken, after Frans Hals 

Wussin 91 
Good impression, only state. 
See reproduction. 30.00 

Paolo Toschi, 1788-1851 

317 Madonna della Tenda, 1832 (Line-Engraving, after 

Raphael) 

LSeautiful impression, o])en letter prool. 24.00 

318 Lo Spasimo di Sicilia (Christ bearing the Cross, after 

Raphael) 

i'rt)o[ ini])ressiini of supreme 1)eauty. unique in tliis 
state and undescrilied in .\ppel. 75.00 

84 



Cornelis Troost, 1697-1750 

319 The Bust of J. Campo Weyerman, surrounded by 
Cupids 

Original sanguine drawing, signed. 

Collections Pinto and Habich. 

7% inches high. 6 inches wide. 65.00 



Unknown Italian Engraver (XVIth Century) 

320 Abraham's Sacrifice 

Bartsch XII, 22, 3 

Wood-cut in chiaroscuro from 2 plates. 

after Parmegiano. 20.00 

321 Charity 

Bartsch VIII, 3 
Charming Chiaroscuro from three i^lates. after the 
same. 12.00 



Wallerant Vaillant, 1623-1677 
(One of the first Mezzotinto Engravers) 

322 Young Man, reading, seated before the statue of Cupid 

W. 21 
Early mezzotint, in good impression, with wide 
margin. 20.00 



Esaias van de Velde, 1590-1630 

323 A Village Street, with groups of talking men (Original 
Drawing) 

E.xquisite design in black chalk. 

4.)4 inches high, 6'S inches wide. 60.00 




|. VAN nE Velde 



No. 324 



35.00 



Jan van de Velde, 1598-1679 

324 The Star of the Magi (Engraving in Goudt's manner) 

Andresen 

Charming- niglit piece after P. Mnlyn. Brilliant im- 
pression of the first state, before the address of 
■'Visscher." See reproduction. 

325 Fire (Ignis), After W. Buytenweg 

Andresen 33 
lm])ressi(in nf the lirst state, before address of }. C. 
A'isscher. 15.00 

Dirck Vellert (Van Staren), Netherlands, about 1500 

326 Temptation of Christ, Engraving 

Bartsch 5 (1525) 

(i( 1(1(1 impression ; rare. 25.00 

86 




CoRX. \'issciir:R 



No 331 



Agostino de Musis, called Veneziano, 1490-1540 

327 Hercules and Antheus 

Bartsch 347 

Beautiful impression, before the retouches. 30.00 

Francois Verdier, 1651-1730 

328 Biblical Scene, Original drawing in black, red and 

white chalks 

Collections Peoli and Robert Hoe. 

5.54 inches high, 10.>4 inches wide. 20.00 

Nicolas Verkolje, 1673-1746 

329 His Self-Pcrtrait, Original drawing 
Beautiful design in India Ink. 

10^ inches high, 6>4 inches wide. 50.00 

Giuseppe Nicolo Vicentino (Ital., XVIth Century) 

330 Hercules and the Lion 

Bartsch VII, 17 

^\'ood-cut in Chiaroscuro, from two jjlates. 

First state, \ery rare. 75.00 

87 




Corn. \'issciiek 



No. 332 



Cornelis Visscher, 1618-1658 

331 Head of an Old Woman, Original drawing, signed 
Charcoal on \'ellum. See reproduction, page 87. 

45^ inches high, 4}i inclies wide. 90.00 

332 Portrait of Justus van Vondel, Engraving 

D. 120 IV. 
Brilhant impression. See reproduction 30.00 

333 Peter Schrijver (Scriverius), after Soutman, 1649 

W. 42 
Brihiant impression of the third state. 75.00 

Joris G. van Vliet. Born about 1610 

334 Lot and His Daughters, after Rembrandt 

Bartsch I 

Brihiant impression of the first state, hefore the cross- 
hatchings on the rock. See reproduction, page 89. 
Collection Camljerlyn. 40.00 

Giovanni Volpato, 1738-1803 

335 The Stanzas of The Vatican, Line engravings after 

Raphael 

Complete set of nine, in superh proof impressions, he- 
fore the lettering. together 200.00 

88 




J. G. VAN Vliet 



No. 334 



Martin deVos, 1531-1603 

336 The Fall of the Giants, Original drawing 
Pen and India ink, signed. 
5% inches high, 3'/s inches wide. 



20.00 



William Ward, 1765-1825 

337 The Gamesters, Mezzotint after Rev. Peters 

Good impression with margin. framed 50.00 

338 Morning, or Thoughts on Amusement for the Evening 

Charming stipple engraving after Morland, printed in 
Ijrown ; l)eautiful impression with full margin. 100.00 

89 



339 Thoughts of Matrimony, after John Raphael Smith 

( )ne of the loxeliest stipple engravings, ct)lored by 
hand, old fnll margin restored. 150.00 



340 The Coquette, also known as the "The Cyprian Votary" 

Charming and famous stipple engraving, after J. R. 
Smith, trimmed to the oval, printed in colors, but 
touched with the lirush. 180.00 



341 Almeida, Wm. Ward del. et sculp. 

Stipple engraving, printed in ci)lors, but touched with 
the brush, small margin. Duplicate from the collec- 
tion of the late J. P. Morgan. % 
See reproduction. i)age 91. 200.00 



Thomas Watson, 1748-1781 

342 Henrietta, Countess of Rochester 
Mezzotint, after P. Lely 

One of the Windsor Beauties. Beautiful impression. 

framed 50.00 



343 Young Girl, reading, Mezzotint, after G. Schalken 

Proof l:)efore the letter; beautiful imi)ression. 20.00 



Antione Watteau, 1684-1721 
(Attributed to) 

344 Head of a Boy, Original drawing 

E.xquisite design in red and black crayon. 

Oval 5i/s inches high. 4;4 inches wide. 150.00 

90 




\\'iLLiAM Ward 



Ni). 341 



J. G. Wille. 1715-1808 

345 Portrait of Christian Wolff, Prof, of Mathematics 

CharminsJ and decoratix'e little print in tine impression. 

12.00 

Wierix Family. About 1600 

346 Portrait of Philipp, Prince of Orange 

Undescrihed print in an impression of great hrilliancv. 

15.00 

George Andreas Wolfgang, 1631-1716 

347 Judith at the Tent of Holofernes 

( )ne of the earliest Alezztitints ; \ery rare. 15.00 

91 



Jan Wynants, 1625-1682 

348 Landscape, Original drawing 

Charcoal and wash, 10 inches high, 13 ',s inches wide. 

See reproduction below. 80.00 

Antonio Maria, Count Zanetti (Ital. XVIIIth Century) 

349 Young Man, standing, after Parmegiano, 1721 

Lovely chiaroscuro- wood-cut from three plates. 30.00 



Reiner Nooms, called Zeeman. Born 1612 

350 Seascape, Etching 

Bartsch 37 I 

Good impression, Ijefore the address of Clement de 
Jonghe. 



T.\N WVNANTS 



10.00 




No. 348 



92 



CHRONOLOGICAL INDEX (Arranged in Groups) 



I. ENGRAVINGS AND ETCHINGS 

A. German and Netherland Masters of the XVth and XVIth Centuries 

Nos. 
Martin Schongaucr 1445-1491 294-298 

Monograiiiist A. G. (Glockenton) End of XVth Cent. 137-138 

Monogramist M. Z. (Zasinger) End of XVth Cent. 206-207 

Albrecht Diirer 1471-1528 93-112 

Lucas van Leyden 1494-1533 166-175 

The Little Masters 

Heinrich Aldegrever 
Albrecht Altdorfer 
Anonymous Engravers 
Barthel Beham 
Hans Seljald Bchani 
Jacob Bink 

Monogramist H. S. E. 
Georg Pencz 

Hans Seliald Lautensack 

Theodor de Bry 

Alaert Claes 

Dirck Vellert (van Staren) 

Wierix Family 

B. Italian Engravers 

Peregrino da Cesena (Nielli) 
Andrea Mantegna 
Benedetto Montagna 
Marc Antonio Raimondi 
Agostina de Musi (Veneziano) 
Monogramist F. G. 
Ugo da Carpi 

Antonio Fantuzzi, da Trento 
Unknown Chiaroscuro Engravers 
Gius. Nicolo Vicentino 
Bartolomeo Coriolano 
Count A. M. Zanetti 

C. Dutch Etchers and Engravers, XVIIth Century 

Cornelis Bcga 
Abraham Blootelingh 
Cornelis van Dalen 
Claes Corn. DelfT 
Willem Jacobz Delff 
Anthony van Dyck 
Hendrick Gohzius 
Christoffcl Jeglier 

93 



1502-1562 


1-3 


1488-1538 


4-11 


XVIth Century 


14-16 


1502-1540 


32-34 


1500-1550 


35-45 


1490-1560 


51-52 


XVIth Century 


205 


1500-1550 


244-246 


1524-1564 


159-162 


1528-1598 


63-64 


1520-1555 


80-81 


about 1525 


326 


about 1600 


346 


XVth Century 


247 


1431-1506 


187-192 


1500-1540 (about) 


203 


1475-1534 


251-269 


1490-1540 


327 


about 1537 


204 


born aliout 1486 


72-77 


1508-1550 


129 


XVIth Century 


320-321 


XVIth Century 


330 


1590-1649 


82 


1721 


349 


entury 

1620-U.64 


29-30 


1634-1685 


54 


1602-1664 


83 


died 1620 


84 


1580-1638 


85 


1599-1641 


116-122 


1558-1616 


139-144 


1620-1670 


156-157 



Adrian van Ostade 

Rembrandt van Rijn 

Jonas Suyderhoef 

Wallerant Vaillant 

Jan van de Velde 

Cornells Visscher 

Joris G. Van Vliet 

Reiner Xooms, called Zeeman 

D. French, German and Spanish Engra 

Jacques Callot 

Gerard Edelinck 

Job. Fricdr. Leonart 

Claude Gellee. called Le Lorrain 

Antoine Masson 

Claude Mellan 

Jean Morin 

Robert Nanteuil 

J. Ribera. II Spagnoletto 

Geora Andreas Wolfsfan.s: 

E. Engravings of the XVIIIth Century 

Francesco Bartolozzi 
Isaac Beckett 
Louis Marin Bonnet 
M. H. Bonnier 
H. W. Bun1)ury 
Gilles Demarteau 
John Downman 
Richard Earloni 
John Faber 
Thomas Frye 
James Gillray 
J. B. Grateloup 
Valentine Greene 
Alexander van Haeckcn 
William Humphrey 
J. B. Jackson 
Pierre Adrien Le Beau 
Charles Louis Lingee 
Roljert S. Marcuard 
George Morland 
John Ogborne 
Richard Purcell 
William Wynne Ryland 
I'ierre Savart 
Heinrich Sintzenich 
John Smith 
Jolm Raphael Smith 
William Ward 
Thomas Watson 
J, G. Wille 

94 



1610-1685 


2i7-2i'>^ 


1606-1665 


270-283 


1600-1669 


315-316 


1623-1677 


i22 


1598-1079 


i2A-i2-:< 


1618-1658 


ii2-iii 


born 1610 


334 


born 1612 


350 


XVIIth Century 




1592-1635 


66-68 


1640-1707 


125-126 


1633-1680 


164 


1600-1682 


183-184 


1636-1700 


195-196 


1598-1688 


198 


1600-1666 


211 


1630-1678 


216-235 


1588-1656 


285 


1631-1716 


347 


1730-1813 


19-25 


1653-1715 


26-27 


1743-1793 


56 


1740-1814 


58 


died 1811 


65 


1729-1776 


86 


1769-1824 


91 


1728-1822 


123-124 


1684-1755 


127-128 


1710-1762 


132 


1757-1815 


136 


1735-1817 


150 


1739-1813 


151 


1735 


152 


1740-1795 


154 


1701-1754 


155 


1776 


163 


born 1753 


176 


1751-1792 


193-194 


1763-1804 


212-213 


1725-1795 


236 


1)Orn 1736 


250 


1729-1783 


289 


1750-1778 


291-293 


1752-1812 


301 


1654-1719 


302-305 


1740-1811 


306-307 


1765-1825 


337-341 


1748-1781 


342-343 


1715-1808 


345 



1779-1857 


87-89 


born 1811 


158 


born 1800 


182 


1766-1831 


179-181 


born 1810 


185-186 


1758-1833 


208-210 


1782-1816 


214 


born 1831 


311 


1788-1851 


317-318 


1738-1803 


335 



F. Line-Engravers of the Late XVIIIth and Early XlXth Centuries 
A. G. L. Boucher-Desnoj-er 
Joseph von Keller 
C. L, A. Loriclion 
Ginseppe Longhi 
Eduard Mandel 
Rapliael Morghen 
Christian Friedr. Miiller 
Rudolf Stang 
Paolo Toschi 
Giovanni Yolpato 

IL DRAWINGS 

XVth and XVIth Centuries 

Primitive (iornian 

Jost Animann 

Herri met de Bles (Blesins) 

Joerg Breu 

Wolf Hul)er 

Christ Murer 

Virgil Solis 

Toljias Stimmer 

Luca Cambiaso 

Domenico Canipagnola 

Dom. Zanipieri. Domenichiiio 

Ottavio Leoni 

XVIIth Century 

Jac. Adr. Backer 
Corn. Bega 
Aljr. Begeyn 
Nicolas Bergheni 
Leonard Branier 
Jan Bronl<horst 
Cornelis Dnsart 
Anthony van Dyck 
Aart van Gelder 
Hendrick Goltzius 
Jan van Goyen 
Job. Lingelbach 
Jan Livens 
Jacob Matham 
Willem van Mieris 
Jan Miense Molenaer 
Adrian van Ostade 
Crispin de Passe 
School of Rembrandt 
School of Rubens 
Jacob van Rnysdael 
Salomon van Ruysdael 
Herman Saftlevcn 



about 1400 


249 


1539-1591 


12-13 


XVIth Century 


53 


1480-1537 


60-61 


1480-1544 


153 


1558-1614 


215 


1514-1562 


309 


1539-1587 


312-314 


1527-1585 


69 


1484-1556 


70 


1581-1641 


90 


1574-1628 


165 


1608-1D51 


17-18 


1620-1664 


28 


1630-1697 


31 


1620-1683 


49 


1596-1674 


59 


1648-1727 


62 


1665-1704 


113-114 


1599-1641 


115 


1645-1727 


134-135 


1558-1616 


145-147 


1596-1656 


148-149 


1625-1687 


177 


1607-1663 


178 


1571-1631 


197 


1635-1681 


200 


1600-1668 


201-202 


1610-1685 


239 


1540-1^29 


242 


about 1650 


284 


aliout 1640 


286 


1628-1682 


287 


1600-1670 


288 


1(109-1685 


290 



95 



Peter Soutnian 
Esaias van de Velde 
Nicolas Yerkolje 
Cornelis Visscher 
Martin de Vos 
Jan Wynants 

Stefano della Bella 
Robert Boissard 
Jean Parrocel 
Charles Parrocel 
Francois Verdier 

Alonzo Cano 



XVIIIth Century 

Marie Jeanne Bernard 
Francois Boucher 
Honore Fragonard 
J. B. Joseph Pater 
Andre Portail 
Antoine Watteau 

Francesco Bartolozzi 
G. B. Cipriani 
Thomas Gainsborough 
C. Kirkpatrick Sharpe 

Aart Schouman 
Cornelis Troost 



1580-1650 


310 


1590-1630 


223 


1673-1746 


329 


1618-1658 


331 


1531-1603 


336 


1625-1682 


348 


1610-1664 


46-48 


about 1600 


55 


1648-1704 


240 


1688-1752 


241 


1651-1730 


328 


1601-1665 


71 


1740-1804 


50 


1704-1770 


57 


1732-1806 


130-131 


1695-1736 


243 


died 1760 


248 


1684-1721 


344 


1730-1813 


20 


1727-1785 


78-79 


1724-1788 


138 


18th Century 


300 


1710-1788 


299 


1697-1750 


319 



PREVIOUS SPECIAL CATALOGUES OF 
R. EDERHEIMER - PRINT CABINET 

No. 1 Lucas van Leyden. Illustrated. With introduction by 
R. E. November, 1908. 

No. 2 Marc Antonio and the other Italian engravers of the 
XVIth Century. Illustrated. Introduction by R. E. 
October, 1909. 

No. 3 Martin Schongauer. Richly illustrated. Introduction by 
R. E. December, 1911. 

No. 4 Mantegna and the other early Italian engravers. Illus- 
trated. With introduction by R. E. December, 
1912. 

No. 5 Robert Nanteuil. With thirteen reproductions and an 
introduction by Louis R. Metcalfe. October, 1913. 

No. 6 Original Drawings by Old Masters. Illustrated. With 
introduction. December, 1913. 

No. 7 Diirer, Lucas van Leyden and Marc Antonio Raimondi. 
With introduction and Diirer's Mystical Tetralogy. 
A Fantasy in Verse by R. E. January, 1914. 

No. 8 Original Drawings by Old Masters. Illustrated. With 
Introduction. February, 1915. 

No. 9 Portrait Engravings, XVIIth Century. April, 1915. 



fu 



4^ 



^t^.